For those that didn't know, I used to work for The Dharma Initiative. This photo was taken at the Bi-Annual Dharma dinner and dance. Shortly afterward, Ben Linus and I went out to the swings and smoked a Dharma blunt with Ethan and got high as hell. Good times.
Anyway, I used to work in the Swan station waaaay before that punk ass motherfucker Desmond. As a keepsake of all those happy times pushing the button, I nicked a saucepan from the crib and bounced before Big Ben gassed up all of my co workers. It now lives in my Brixton kitchen and is used to cook an assortment of foods. If you didn't want to wait till the end of the series you should have asked me. Need to get back to the island, still.
As previously stated, I didn't start this blog in order to just post every single new video/song/act that pops up, but seeing as My Life Is Real I will post up anything that appeals to me in particular, and this gang of bizarre, fucked up rapping skater kids from LA are just the ticket. They really don't need anymore shine, they're blowing up right now, but if you haven't heard these guys then you need to.
I used to be a skater rat back in the day. I was never particularly good. I just used my deck for a seat in order to roll up, then just roll around on it, high. Those days are long gone but these crazy motherfucks make it seem like yesterday.
My man Ruff Snippets, operating out of Brighton, has just dropped this FREE D/L EP featuring him recreating Hip Hop tracks using his own masterful skill on the boards. I'm actually doing an EP with the man himself, due out this year, tentatively titled 'Slumdog Hundredaire'. Keep an eye out for that.
Here followeth the blurb, written by the man himself. Download link is at the bottom. Go cop that.
I started making hip hop about 8 years ago, around the time when there was plenty of ill shit coming out. I got into it mainly through DJing and learning about beats that way. I started on my old laptop just choppin' loops up of old soul and jazz shit on reason. Then about 5 years ago i discovered the magic of the MPC. It allowed me to chop samples and lay drums in a way that i could never manage on just software alone. Since then i've just been trying to develop my style and come out with something new and original, which is always the challenge of making good music. I was inspired by a new way of making hip hop from the likes of Madlib, Dilla and Oh No. That rugged style of production just gave me that extra push i needed in terms of inspiration.
For the remix album i just had to look to the library for some beats that i wanted to put out, both old and new. On the album is a variety of styles from purely choppin' loops the oldschool way, to playin around with synths and instruments. There's a variety of techniques using software to mix digitally, but also sending shit through an old analogue mixer. Then it was just about layin' some dope acapellas on top. I selected some of my favourite bars and verses from legendary rappers and singers in the game. And that's about all there was to it. I wanted to provide some shit for people to listen to for free, just for the love. Give it a listen.
You heard the man. "I wanted to provide some shit for people to listen to for free, just for the love. Give it a listen."
What is you? Ig'nant? GO DOWNLOAD IT RIGHT NOW ----> HERE <----
Just dreamt me, Jay Z, Nas and DJ Manipulate were having brunch at the House Of Lords & discussing the property market.... the Illuminati are crow barring their way into my dreams... Time for drastic action.
Big up my man Waxer DiscoScratch for having the presence of mind to A) Have a recording device and B) turn it on while me, Joker Starr and a really sound brer that I also met for the first time last night, Original One, were spitting some darts. We were freestyling, but that must have been before my man started the recording. Pity, but its nice to have a lil document of these things. Especially seeing as I was, once again, off my tit drunk. Surprise surprise.
Although I had a wicked time last night, unfortunately EPMD were not the highlight. They only played for an hour tops (and thats being generous, it could have been closer to 45 minutes) after keeping the crowd waiting wayyyy too long, the DJs played 'Witness' by Roots Manuva at least 4 times (AND they played 'Watch Out Now' by the Beatnuts, don't even get me started on that one, just ask Daps), Erick and Parrish just kind of mumbled through a selection of hits all the while constantly saying "Yo, we got to go soon", or words to that effect. Parrish could barely hold the beat. Check the vid below and you'll see.
Oh well. Had a good time with Deejay, Lil' Tika & Alex Young, linked with Jehst, Cutmaster Swift & Jonzi D, met some sound people and got pissed. Knocked into a few heads from Brighton too, my mans dem Joe Foly & Big Muffin. Nice one lads. Talking to Cutmaster Swift was a laugh, I told him the tale of the first time I got on stage to rap (which was at one of his gigs when I was 15), which I posted on this very blog a little while back, and which you can read right ----> HERE <----Overall it was all good; just a shame that some of these American acts still think they can get away with palming off lacklustre performances on UK crowds. Bait.
Me & Jonzi D. As you can see, I'm rocking a Starter cap, POLO tee and a vintage Early 90's Tommy Hilfiger Jacket. Real.
Big Dave and Bigger Alex Young
EPMD 'rocking' the stage
The Gaff
Props to Lil' Tika on the photography. Cheers babygirl x
And this was probably my EPMD highlight of the night -